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♪ ♪

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♪ ♪

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♪ ♪

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♪ ♪ CAINE: What are you talking about?

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We're returning Riaz to stand trial in Brazil.

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H... it's our move.

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We're going to Brazil.

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♪ ♪

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(excited chattering) (trolley bell rings)

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I know you thought we'd be turning Antonio Riaz over to you.

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I still do.

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Unfortunately, Mr. Riaz is about to become a free man.

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You can't free that man; he murdered my sister.

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To charge Mr. Riaz, we require a list of all witnesses and contact information.

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Which we gave to you six weeks ago.

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We gave you the police reports, the witness statements, even the crime scene photos.

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Everything you needed to go to trial.

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Because of his Mala Noche affiliations, names were omitted.

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Your prosecutor sanitized them.

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We believe in witness protection.

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And we believe in full disclosure.

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And without that information, my hands are tied.

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Now, you understand the importance of paperwork.

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That man commissioned the murder of my sister.

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You're making a huge mistake.

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I'm sorry.

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Not as sorry as you're going to be.

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(siren wails in the distance) (indistinct chattering)

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♪ ♪

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I don't think you know how this is going to end, Caine.

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I know exactly how it's going to end.

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Go home.

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I will, Antonio, when this is over.

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♪ ♪

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♪ ♪

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Captioning sponsored by\h CBS, C.S.I. PRODUCTIONS, ♪ We don't get fooled again ♪ ♪ Don't get fooled again ♪ ♪ No, no! ♪

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♪ ♪

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Where's Riaz headed?

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My guess is one of thefavelas.

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The most dangerous parts of town.

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The shanties are built onto the hillsides.

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Cops, uh, say rumor is that Riaz is something like the mayor of one of those.

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I have no doubt.

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Which way do you think he's headed?

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I don't know, but, Eric... I know someone who does.

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♪ ♪

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♪ ♪

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♪ ♪

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I heard about your wife.

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I'm very sorry, Horatio.

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Then you know why I'm here: I'm after a man named Riaz.

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I think Raymond can help me find him.

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What makes you think that Ray has anything to do with that world?

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Because I know Raymond, Yelina.

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A leopard doesn't change its spots.

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I didn't want you to know. I'm sorry, I...

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You sent us here for a clean start.

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It's not your fault.

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Could we go inside, please?

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I'm scared, Horatio.

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I think he's gone over completely.

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Does he go to thefavelas?

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Drugs.

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He says he only collects payment, but...

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I don't believe him.

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He comes home, changes clothes, disappears again.

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I think he deals with people at high levels.

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Is he with Riaz?

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With Riaz? Against Riaz?

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I don't know.

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He says he does it for us.

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That's a lie.

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The only person Ray Caine cares about is Ray Caine.

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RAY JR.: Don't listen to her, Uncle Horatio.

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She has no idea.

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Ray, please.

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RAY JR.: You're always talking trash about him.

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My dad puts his life on the line every day for us.

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If Dad's with Riaz, it's because he wants to help us.

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Get to school.

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Raymond, do what your mother says.

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Go ahead, son.

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He idolizes his father.

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I'm afraid he's going to become just like him.

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Yelina, are those Raymond's shoes?

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Yes.

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Let me see those, please.

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Could you hold that up, please?

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Just like that.

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(shutter clicks) What are you going to do?

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I'm going to get this to the lab.

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Got it.

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You think they'll manage to find Ray?

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This vegetation will help us find where he hangs out.

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You know, it suits you.

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What?

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Being boss.

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It's temporary.

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Okay, Lieutenant Duquesne.

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Pay scale would be nice, though.

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Find me.

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All right.

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Calleigh Duquesne. Large and in charge.

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And by large, you know I mean in terms of your reputation and...

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responsibility, and...

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You look very beautiful today.

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Well, that's a... that's a nice save.

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Let me ask you something.

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You gonna make any changes while they're gone?

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Because, uh, you can,you know.

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Like what? Like, I don't know...

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Like her...

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I can't believe she's a CSI now.

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She's worked hard for it; and history aside, she'll make a good one.

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Hey. Just got a call out on a female vic in Coral Gables.

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What are you waiting for?

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No. It... There's nothing that says I got to take a trainee with me, okay?

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I mean, I can...

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I can process a crime scene myself, thank you.

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That's true, but you won't.

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WOLFE: Are you sure you want this to be your first act as, uh, boss for the day?

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It's my fifth. Get going.

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How's Brazil?

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Ah, the leaf.

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The petioles are hidden and the lamina are ten centimeters.

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It's a Drosera villosa.

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This thing's carnivorous, so we are looking at the face of a killer.

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That's interesting.

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Can it be found in Rio?

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I doubt it. It's indigenous to the rain forest.

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Their job just got a lot harder.

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(speed dial beeping) DELKO (over phone): Calleigh.

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Hey.

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Hey, how's it going?

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It's been tough.

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Is everything okay?

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No, uh, they released Riaz.

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Yeah, I heard.

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What's it like down there?

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It couldn't be farther from Miami other than the weather.

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Everywhere you turn, there's a skyscraper or mountain.

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Shantytowns here-- they wield all the power.

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They've already had two police actions today.

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And what about the people?

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The people are great.

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Are they just everywhere?

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No, that's the thing-- 11 million and, uh, it feels less crowded than Miami.

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It's like they're waiting for something. For what?

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I don't know. I don't know if I want to find out.

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Look, what have you got on Ray's location?

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Well, excuse me for not getting it, but why are you looking for Ray?

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Because we hear he's with Riaz.

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Bad news-- the leaf, it's a...

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Drosera villosa.

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It's indigenous to the rain forest, which means he's working outside the city.

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I forgot to tell you-- Rio has an inner-city rain forest.

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It's right next to one favella.

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Oh, well, in that case, I'm glad we could help you.

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A forest in the middle of Rio, Eric?

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Yeah. Favella starts right up here.

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(man screaming) You hear that? I do hear that.

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Come on.

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(gasps) He's alive.

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(gasping) H...

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it's your brother.

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Get help, Eric.

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CAINE: Easy, easy.

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(gasping) All right.

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(muttering weakly) Big brother? Yeah.

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Ray.

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Ray, who did this to you?

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(gasping)... R-Riaz.

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I just... I just wanted to help my family.

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Right now, let me help you, okay?

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Not me...

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He doesn't understand. Ray...

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He's just a kid. I know.

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I want you to let me worry about Ray, Jr.

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You have to help him.

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Riaz has got his hooks in him.

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He's in danger. I want you to listen to me.

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I'm going to take care of that boy.

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Ray, okay? (gasping) (exhales)

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(quietly): I'm going to take care of him.

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I love you.

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♪ ♪

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♪ ♪

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(sighs) The authorities have his body.

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I'm making the arrangements right now.

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Thank you.

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Yeah.

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Somehow, I always knew he would end up like this.

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Yelina, there's one other thing.

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Ray Jr.-- is he okay?

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Where is he? I can find him.

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You gave him a GPS watch.

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When he started hanging around with those favella boys, I was scared something like this would happen.

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Bonde.

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That's the elevated rail.

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By the aqueduct.

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That's Riaz country.

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♪ ♪

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♪ ♪

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This is my new man in town.

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I want you to remember him, okay?

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Hey, Ray.

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CAINE: Ray.

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Ray, this is not a good idea.

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I think he's doing fine, Caine.

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So are you.

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You found me.

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Ray, I want you to come with me.

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Stay out of this. You don't understand.

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I do understand, and that's why I want you to come with me.

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RIAZ: I told you, Caine.

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I was going to take everything you loved.

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Ray!

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CAINE: Ray!

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(trolley bell ringing) That trolley heads into the heart of the favellas, the most dangerous part of town.

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♪ ♪

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All we have is Ray Jr.'s watch to go on, huh?

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DELKO: That's right.

223
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There's a blue substance smeared on here.

224
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Pepper. It smells like pepper spray, but that doesn't explain the color.

225
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Not true, Eric. They use it to stop riots.

226
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(siren wailing) (indistinct shouting) (round fires) That's right, the bullet fires a combination of the two.

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The dye identifies the agitator.

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We find this morning's police action, we find that favella and Riaz.

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(indistinct chattering) (indistinct police radio transmissions)

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This beauty is Pamela Silvers.

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First responders say her husband Carl found her.

232
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It's a botched robbery?

233
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That's what he's saying.

234
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She's beaten pretty bad.

235
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Yeah. C.O.D's head trauma, right?

236
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See these?

237
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Thin rings of blood on her lips?

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That's expiration.

239
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Now, I think her lungs collapsed...

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(gasping) sending blood \h into her esophagus.

241
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Her saliva mixed \h with the blood, creating these droplets, eventually leading to full esophogeal blockage.

242
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She drowned in her own blood.

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BOA VISTA: Okay, I'll start collection.

244
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You start over there with the murder weapon.

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You photo, you sketch, you measure before you collect anything, you got that?

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Got it, check.

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WOLFE: Do you recognize this, Mr. Silvers?

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SILVERS: That's the shirt you made me take off at my house.

249
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It was in plain sight.

250
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And you see the tiny bubbles in the blood?

251
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That's your wife's saliva, which can only be there if you were there while she was alive.

252
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All right?

253
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You told me she was dead when you got home.

254
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SILVERS: Okay.

255
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Okay, okay, she-she-she was flailing.

256
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But I tried.

257
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Okay, I tried to save her.

258
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Hang on, Honey. (choking) Hang on. I've called an ambulance.

259
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And you... didn't tell us this why?

260
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Because I thought it would make me look guilty.

261
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Mr. Wolfe, let's tell the man what he won.

262
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I swear... All right. I-I gave her CPR until the paramedics arrived, but it was too late.

263
00:19:15,000 --> 00:19:19,000
No. It's never too late.

264
00:19:19,000 --> 00:19:22,000
Let's start from when you got home.

265
00:19:22,000 --> 00:19:25,000
SILVERS: I got into my driveway, parked the car, got out...

266
00:19:25,000 --> 00:19:27,000
Can I help you?

267
00:19:27,000 --> 00:19:29,000
That man killed my mother.

268
00:19:31,000 --> 00:19:32,000
Carl Silvers is your father?

269
00:19:32,000 --> 00:19:33,000
Stepfather.

270
00:19:33,000 --> 00:19:35,000
He killed her, didn't he?

271
00:19:35,000 --> 00:19:37,000
BOA VISTA: Well, I assure you that we're on top of it.

272
00:19:37,000 --> 00:19:40,000
And those guys in there, they're very good.

273
00:19:40,000 --> 00:19:41,000
They'll get him.

274
00:19:41,000 --> 00:19:43,000
Okay? Okay.

275
00:19:43,000 --> 00:19:46,000
But you really shouldn't be in here right now, all right?

276
00:19:52,000 --> 00:19:54,000
How'd it go in interrogation?

277
00:19:54,000 --> 00:19:57,000
Aah... husband's sticking to his story and I can't budge him.

278
00:19:57,000 --> 00:19:59,000
Well, he may just have a good reason.

279
00:19:59,000 --> 00:20:01,000
All physical evidence is equivocal.

280
00:20:01,000 --> 00:20:05,000
So if the evidence isn't telling us anything, what do you got?

281
00:20:05,000 --> 00:20:06,000
Meet air DNA.

282
00:20:06,000 --> 00:20:10,000
It captures and analyses the signatures of any volatile organic compounds.

283
00:20:10,000 --> 00:20:11,000
Basically anything airborne.

284
00:20:11,000 --> 00:20:13,000
Basically any invisible evidence.

285
00:20:13,000 --> 00:20:15,000
So the killer...?

286
00:20:15,000 --> 00:20:17,000
Could have left behind some evidence he didn't even know existed.

287
00:20:17,000 --> 00:20:20,000
Such as cologne or aftershave.

288
00:20:20,000 --> 00:20:21,000
You already processed her clothes?

289
00:20:21,000 --> 00:20:22,000
Yeah.

290
00:20:27,000 --> 00:20:31,000
So there's benzene, octyl acetate...

291
00:20:31,000 --> 00:20:35,000
Let me guess, there's Texanol, because it's house paint.

292
00:20:35,000 --> 00:20:36,000
Yeah.

293
00:20:36,000 --> 00:20:38,000
I'm such an idiot.

294
00:20:38,000 --> 00:20:41,000
One of the guys we interviewed was a painter doing the siding.

295
00:20:41,000 --> 00:20:43,000
Why are you beating yourself up?

296
00:20:43,000 --> 00:20:45,000
You just broke the case.

297
00:20:48,000 --> 00:20:51,000
I gave you guys a statement.

298
00:20:51,000 --> 00:20:55,000
We found traces of the exact paint you used on the victim's body.

299
00:20:55,000 --> 00:20:58,000
The Z-nose indicates you were in close proximity to Mrs. Silvers.

300
00:20:58,000 --> 00:21:02,000
(crying): Please! Please...

301
00:21:04,000 --> 00:21:07,000
We're executing a search warrant for your vehicle as we speak.

302
00:21:07,000 --> 00:21:10,000
Do you want to tell me anything that may help you?

303
00:21:10,000 --> 00:21:13,000
Yeah. Uh, so, okay.

304
00:21:13,000 --> 00:21:19,000
Sh-she did come out and talk to me, and neighbor ladies only do that for one reason.

305
00:21:19,000 --> 00:21:22,000
So I went in there at lunch.

306
00:21:24,000 --> 00:21:26,000
Get out of my house.

307
00:21:26,000 --> 00:21:27,000
Come on.

308
00:21:27,000 --> 00:21:34,000
(grunting) (screams) (crying) I just want to have a little fun.

309
00:21:34,000 --> 00:21:36,000
Please, please!

310
00:21:36,000 --> 00:21:42,000
(screams) Nothing gets me angrier...

311
00:21:42,000 --> 00:21:44,000
than a tease.

312
00:21:44,000 --> 00:21:47,000
Sue me.

313
00:21:47,000 --> 00:21:50,000
I will do more than that.

314
00:22:01,000 --> 00:22:03,000
I'm going to go and bury my wife now.

315
00:22:03,000 --> 00:22:05,000
I'm really sorry, Mr. Silvers.

316
00:22:05,000 --> 00:22:08,000
But you understand, we have to follow protocol, procedures.

317
00:22:08,000 --> 00:22:11,000
No. No, I don't have to understand.

318
00:22:15,000 --> 00:22:16,000
"We are so sorry."

319
00:22:16,000 --> 00:22:18,000
Did you just apologize to him?

320
00:22:18,000 --> 00:22:21,000
Uh, yeah, I, okay... I-I know, I know.

321
00:22:21,000 --> 00:22:24,000
I'm supposed to leave the emotion out of it.

322
00:22:24,000 --> 00:22:27,000
If you knew, you wouldn't do it.

323
00:22:27,000 --> 00:22:29,000
Okay, I'm sorry. I'm new.

324
00:22:47,000 --> 00:22:49,000
Scott?!

325
00:22:49,000 --> 00:22:51,000
You said they'd get him.

326
00:22:51,000 --> 00:22:53,000
You promised.

327
00:22:53,000 --> 00:22:55,000
Did you tell him his stepfather did this?

328
00:22:55,000 --> 00:22:57,000
No, I didn't! I-I don't...

329
00:22:57,000 --> 00:22:59,000
I don't know, I don't know... Oh, my God, I don't think so.

330
00:22:59,000 --> 00:23:01,000
You don't know? You don't think so? What is it?!

331
00:23:01,000 --> 00:23:02,000
The kid thought that the husband did it.

332
00:23:02,000 --> 00:23:08,000
Just because your husband was a bastard doesn't mean that they all are.

333
00:23:08,000 --> 00:23:09,000
That's low, Ryan.

334
00:23:09,000 --> 00:23:12,000
No, Natalia, that's low.

335
00:23:40,000 --> 00:23:46,000
DELKO: Chief Braga said that this was the location of the police action this morning after Riaz's release.

336
00:23:46,000 --> 00:23:49,000
Maybe there's someone around who saw Ray Jr.

337
00:23:49,000 --> 00:23:56,000
(crackling and whistling) (dog barking) (baby crying)

338
00:24:09,000 --> 00:24:11,000
They know you are cops.

339
00:24:11,000 --> 00:24:13,000
You better go.

340
00:24:13,000 --> 00:24:14,000
There's danger.

341
00:24:14,000 --> 00:24:15,000
Where's Riaz?

342
00:24:15,000 --> 00:24:17,000
He is usually there.

343
00:24:17,000 --> 00:24:18,000
Not now.

344
00:24:18,000 --> 00:24:20,000
He's waiting for collections.

345
00:24:20,000 --> 00:24:21,000
Where?

346
00:24:21,000 --> 00:24:25,000
We light bottle rockets off in different city areas.

347
00:24:25,000 --> 00:24:28,000
He sees, and others collect.

348
00:24:28,000 --> 00:24:31,000
For the heroin you guys package and sell.

349
00:24:39,000 --> 00:24:43,000
There's only one place you can see the whole city from-- it's the hill of Corcovado.

350
00:24:43,000 --> 00:24:45,000
Was he with a boy?

351
00:24:46,000 --> 00:24:48,000
I'm going to ask you again.

352
00:24:48,000 --> 00:24:50,000
Where's the boy?

353
00:24:50,000 --> 00:24:54,000
He got into an auto... with a lady.

354
00:24:54,000 --> 00:24:55,000
What lady?

355
00:24:55,000 --> 00:24:57,000
A pretty lady.

356
00:24:57,000 --> 00:24:59,000
And other boys, like me.

357
00:24:59,000 --> 00:25:00,000
Where were they heading?

358
00:25:00,000 --> 00:25:07,000
(man speaking Portuguese) Tchau. \h Hey, hey.

359
00:25:07,000 --> 00:25:09,000
Hey!

360
00:25:13,000 --> 00:25:15,000
I got to find that boy.

361
00:25:25,000 --> 00:25:26,000
Have you found him?

362
00:25:26,000 --> 00:25:28,000
He got into a car with a woman.

363
00:25:28,000 --> 00:25:30,000
Did he say anything to you about it?

364
00:25:30,000 --> 00:25:34,000
No. But he left his backpack behind, and he never leaves the house without it.

365
00:25:34,000 --> 00:25:37,000
Scotch tape, carbon paper and...

366
00:25:37,000 --> 00:25:40,000
Why would anyone cut off the tips of latex gloves?

367
00:25:40,000 --> 00:25:42,000
To make heroin pellets.

368
00:25:47,000 --> 00:25:50,000
Are you saying my son is muling drugs?

369
00:25:55,000 --> 00:25:59,000
(cell phone rings) Horatio.

370
00:25:59,000 --> 00:26:00,000
I've been better.

371
00:26:00,000 --> 00:26:03,000
No, he's not. Is Delko with you?

372
00:26:03,000 --> 00:26:05,000
His signal just died. Why?

373
00:26:05,000 --> 00:26:07,000
I've been monitoring you guys.

374
00:26:07,000 --> 00:26:09,000
Okay, I know where to find him.

375
00:26:09,000 --> 00:26:10,000
I got to go.

376
00:26:38,000 --> 00:26:39,000
♪ ♪

377
00:26:56,000 --> 00:26:58,000
♪ ♪

378
00:27:08,000 --> 00:27:10,000
♪ ♪

379
00:27:16,000 --> 00:27:22,000
(groans) Antonio, I unwisely showed you compassion the last time we met.

380
00:27:22,000 --> 00:27:25,000
This time, you won't be so lucky.

381
00:27:25,000 --> 00:27:27,000
Where is my nephew?

382
00:27:27,000 --> 00:27:28,000
You'll never find your nephew.

383
00:27:33,000 --> 00:27:35,000
Easy, Eric.

384
00:27:35,000 --> 00:27:36,000
Easy.

385
00:27:36,000 --> 00:27:40,000
Now, Antonio, this is your last chance.

386
00:27:40,000 --> 00:27:42,000
Where's my nephew?

387
00:27:42,000 --> 00:27:44,000
You still don't understand, huh, Caine?

388
00:27:44,000 --> 00:27:51,000
(growls) (grunts) Don't I?

389
00:27:51,000 --> 00:27:52,000
Don't I, Antonio?

390
00:28:15,000 --> 00:28:17,000
Scribble.

391
00:28:17,000 --> 00:28:19,000
"Flag L."

392
00:28:19,000 --> 00:28:21,000
That's Flagler, Eric.

393
00:28:21,000 --> 00:28:23,000
DELKO: It's got to be where he sent Ray Jr.

394
00:28:23,000 --> 00:28:25,000
CAINE: I'd bet money on it.

395
00:28:25,000 --> 00:28:27,000
We headed home?

396
00:28:27,000 --> 00:28:28,000
We're going home.

397
00:28:39,000 --> 00:28:42,000
I didn't tell Scott Satlin anything.

398
00:28:42,000 --> 00:28:46,000
Did he or did he not see his stepfather in interrogation?

399
00:28:46,000 --> 00:28:48,000
He did. But I didn't know it was his son until he told me.

400
00:28:48,000 --> 00:28:52,000
But the second you found out, you should have taken him outside.

401
00:28:52,000 --> 00:28:53,000
I... I know that now.

402
00:28:53,000 --> 00:28:56,000
His attorney is pleading the insanity defense.

403
00:28:56,000 --> 00:28:58,000
Claims you put him in a murderous state.

404
00:28:58,000 --> 00:29:00,000
Okay, so think.

405
00:29:00,000 --> 00:29:02,000
What exactly did you say to him?

406
00:29:02,000 --> 00:29:05,000
I told him that Tripp and Ryan were good and that we'd get him.

407
00:29:05,000 --> 00:29:06,000
"Him" as in the stepfather?

408
00:29:06,000 --> 00:29:08,000
"Him" as in the killer.

409
00:29:08,000 --> 00:29:10,000
Are you sure?

410
00:29:10,000 --> 00:29:12,000
(sighs): I don't... I don't know.

411
00:29:12,000 --> 00:29:19,000
Okay, look, Boa Vista, your career isn't over because of this, but you see how hard things can be when people take what you say out of context.

412
00:29:19,000 --> 00:29:21,000
That's a mole dig, isn't it?

413
00:29:21,000 --> 00:29:24,000
No. No, it absolutely isn't.

414
00:29:24,000 --> 00:29:26,000
It's a reality.

415
00:29:26,000 --> 00:29:27,000
We're on the same team now.

416
00:29:27,000 --> 00:29:32,000
We present a unified front to the world, regardless of how we're feeling at the moment, okay?

417
00:29:32,000 --> 00:29:37,000
I-I never... explicitly said that the stepfather did it.

418
00:29:37,000 --> 00:29:40,000
Well, we've got one question left to answer.

419
00:29:40,000 --> 00:29:41,000
What?

420
00:29:41,000 --> 00:29:43,000
Where'd Scott get the firearm?

421
00:29:43,000 --> 00:29:46,000
Hey.

422
00:29:46,000 --> 00:29:48,000
I heard you were here. Welcome back.

423
00:29:48,000 --> 00:29:50,000
Thanks.

424
00:29:50,000 --> 00:29:53,000
So, I heard it didn't go down like it was supposed to.

425
00:29:53,000 --> 00:29:55,000
Courts dropped the ball, let Riaz out?

426
00:29:55,000 --> 00:29:58,000
Yeah.

427
00:29:58,000 --> 00:30:01,000
But, uh, we took care of it.

428
00:30:02,000 --> 00:30:03,000
You okay?

429
00:30:08,000 --> 00:30:09,000
It doesn't bring Marisol back.

430
00:30:09,000 --> 00:30:11,000
I know, Eric.

431
00:30:11,000 --> 00:30:13,000
Look, if there's anything I can do, anything at all...

432
00:30:13,000 --> 00:30:15,000
There isn't, but thanks, Alexx.

433
00:30:17,000 --> 00:30:19,000
I got to get to Questioned Documents, okay?

434
00:30:19,000 --> 00:30:21,000
See you later.

435
00:30:24,000 --> 00:30:26,000
TRIPP: Calleigh.

436
00:30:26,000 --> 00:30:28,000
Hey. Got anything on the Satlin case?

437
00:30:28,000 --> 00:30:29,000
Found a theft report.

438
00:30:29,000 --> 00:30:32,000
The guy's condo was broken into four days ago.

439
00:30:32,000 --> 00:30:35,000
Only item missing is a nine-mil.

440
00:30:35,000 --> 00:30:36,000
Yeah, and take a look at that address.

441
00:30:36,000 --> 00:30:38,000
Gun owner resides in the Keys.

442
00:30:38,000 --> 00:30:42,000
Looks like I need to have another conversation with Scott Satlin.

443
00:30:42,000 --> 00:30:46,000
Do you remember anything about the shooting?

444
00:30:46,000 --> 00:30:47,000
Barely.

445
00:30:47,000 --> 00:30:50,000
I saw him, and then...

446
00:30:50,000 --> 00:30:52,000
just black.

447
00:30:52,000 --> 00:30:54,000
Then I was cuffed.

448
00:30:54,000 --> 00:30:57,000
Do you remember stealing the gun?

449
00:30:57,000 --> 00:30:58,000
What?

450
00:30:58,000 --> 00:31:01,000
The gun you used, you stole it four days ago.

451
00:31:03,000 --> 00:31:05,000
Scott.

452
00:31:05,000 --> 00:31:06,000
What?

453
00:31:06,000 --> 00:31:09,000
You told Homicide that you had been in the Keys.

454
00:31:09,000 --> 00:31:10,000
That's where the gun was stolen.

455
00:31:10,000 --> 00:31:14,000
It was reported three days ago when you were down there.

456
00:31:14,000 --> 00:31:20,000
I stole the gun from the neighbor at the beach house for protection, from my step-dad.

457
00:31:20,000 --> 00:31:24,000
Let me tell you something.

458
00:31:24,000 --> 00:31:31,000
People who fail an insanity defense are five times more likely to get a life sentence than those who just simply admit they're guilty.

459
00:31:35,000 --> 00:31:37,000
I hated that man.

460
00:31:37,000 --> 00:31:40,000
He made my mother so unhappy.

461
00:31:40,000 --> 00:31:43,000
She called me while I was on vacation.

462
00:31:43,000 --> 00:31:44,000
Said he threatened to hit her.

463
00:31:44,000 --> 00:31:49,000
And when you saw Boa Vista, you found a chance to hide behind insanity.

464
00:31:52,000 --> 00:31:55,000
It was wrong, I know.

465
00:31:55,000 --> 00:31:58,000
Incidentally, so are my statistics.

466
00:31:58,000 --> 00:32:02,000
Frankly, I haven't a clue which way the jury will rule.

467
00:32:04,000 --> 00:32:06,000
Get him out of here.

468
00:32:20,000 --> 00:32:22,000
Hey. Anything?

469
00:32:22,000 --> 00:32:25,000
It's just going to take one minute, Eric.

470
00:32:25,000 --> 00:32:26,000
These kids are like a ticking time bomb.

471
00:32:26,000 --> 00:32:28,000
I know, I know. Just give me one second here.

472
00:32:28,000 --> 00:32:30,000
How much you figure they're carrying?

473
00:32:30,000 --> 00:32:32,000
25 pellets per of compressed powder heroin.

474
00:32:32,000 --> 00:32:34,000
That's a million dollars a kid, provided they don't burst.

475
00:32:34,000 --> 00:32:36,000
Right, from their stomach acid.

476
00:32:36,000 --> 00:32:44,000
Once heroin enters the system, \h it shuts everything down-- blood stops flowing, \h lungs stop breathing, kid stops living.

477
00:32:44,000 --> 00:32:46,000
Which is exactly why I need this to go faster.

478
00:32:46,000 --> 00:32:49,000
Horatio's nephew is one of those kids.

479
00:32:49,000 --> 00:32:51,000
2-0-2-8-1 Flagler.

480
00:32:51,000 --> 00:32:53,000
Does that address mean anything to you?

481
00:32:54,000 --> 00:32:56,000
That's where they're hiding the kids.

482
00:33:03,000 --> 00:33:05,000
Ma'am.

483
00:33:05,000 --> 00:33:06,000
Ma'am?

484
00:33:08,000 --> 00:33:09,000
Stand back, please.

485
00:33:10,000 --> 00:33:12,000
I didn't do this.

486
00:33:23,000 --> 00:33:25,000
It's not Ray.

487
00:33:26,000 --> 00:33:29,000
Well, it's somebody's son.

488
00:33:31,000 --> 00:33:34,000
All right, tell us again how it all happened.

489
00:33:34,000 --> 00:33:36,000
I escort these boys for Riaz.

490
00:33:36,000 --> 00:33:38,000
I drop them off, and then I return home.

491
00:33:49,000 --> 00:33:51,000
I only come up here for my family.

492
00:33:51,000 --> 00:33:53,000
The money is very good.

493
00:33:53,000 --> 00:33:54,000
And illegal. I know.

494
00:33:54,000 --> 00:33:56,000
I'm so ashamed.

495
00:33:56,000 --> 00:33:59,000
How did you get up here? Chartered flight.

496
00:33:59,000 --> 00:34:01,000
Private airfield.

497
00:34:01,000 --> 00:34:08,000
I drove the boys here, and then this one boy-- he started to sweat.

498
00:34:08,000 --> 00:34:10,000
He looked so sick.

499
00:34:10,000 --> 00:34:13,000
There is a number that I'm told to call. Then what happened?

500
00:34:13,000 --> 00:34:15,000
A man came...

501
00:34:15,000 --> 00:34:17,000
and he did that to the boy.

502
00:34:17,000 --> 00:34:24,000
(screaming) (gasps) WOMAN: He cut open the boy \h to get the pellets.

503
00:34:24,000 --> 00:34:27,000
All he cared about \h were the drugs.

504
00:34:28,000 --> 00:34:30,000
What about the other two boys?

505
00:34:30,000 --> 00:34:31,000
They ran.

506
00:34:31,000 --> 00:34:33,000
I didn't stop them. I was afraid for their lives.

507
00:34:33,000 --> 00:34:36,000
How do you get in contact this man?

508
00:34:36,000 --> 00:34:38,000
With this cell phone.

509
00:34:38,000 --> 00:34:39,000
Redial it, Eric.

510
00:34:39,000 --> 00:34:49,000
(speed dial beeping) (phone ringing) Eric?

511
00:35:01,000 --> 00:35:05,000
See this little tiny bit of circuitry right there?

512
00:35:07,000 --> 00:35:10,000
That is like a teeny, tiny cheese grater for epithelials.

513
00:35:17,000 --> 00:35:21,000
Well, let's hope it pans out.

514
00:35:31,000 --> 00:35:33,000
♪ ♪

515
00:35:43,000 --> 00:35:46,000
(computer beeping) DELKO: Angel Demorte.

516
00:35:46,000 --> 00:35:48,000
Works with Tiago Matos.

517
00:35:48,000 --> 00:35:50,000
He's a big-time Miami mover.

518
00:35:50,000 --> 00:35:51,000
Not Mala Noche, though?

519
00:35:51,000 --> 00:35:54,000
Means Riaz was dealing outside of his gang.

520
00:35:54,000 --> 00:35:55,000
Wow.

521
00:35:55,000 --> 00:35:58,000
If you bring in Angel, maybe you can get to Matos.

522
00:35:58,000 --> 00:36:02,000
H, we got a lead.

523
00:36:02,000 --> 00:36:04,000
You guys got nothing.

524
00:36:04,000 --> 00:36:08,000
(swears in Spanish) We found the murder weapon on you, Angel.

525
00:36:08,000 --> 00:36:12,000
I keep telling you to help yourself out and give us something to charge Tiago Matos with.

526
00:36:12,000 --> 00:36:15,000
I do that, I sign my death warrant.

527
00:36:15,000 --> 00:36:17,000
Well, it's you or the state.

528
00:36:17,000 --> 00:36:19,000
Doesn't matter to me.

529
00:36:22,000 --> 00:36:24,000
ANGEL: Man, you got the wrong guy.

530
00:36:24,000 --> 00:36:26,000
Lieutenant Caine?

531
00:36:26,000 --> 00:36:28,000
Tiago Matos.

532
00:36:28,000 --> 00:36:30,000
Where are you taking my driver?

533
00:36:30,000 --> 00:36:32,000
I'm taking him to prison.

534
00:36:32,000 --> 00:36:34,000
He murdered a young boy over your drugs.

535
00:36:34,000 --> 00:36:37,000
You know so much, why am I still a free man?

536
00:36:37,000 --> 00:36:38,000
Because I want it that way.

537
00:36:38,000 --> 00:36:40,000
Now where are the other two kids?

538
00:36:40,000 --> 00:36:41,000
There's two others?

539
00:36:41,000 --> 00:36:46,000
I don't know... If they're full of packets as you say, the morgue will get them soon.

540
00:36:46,000 --> 00:36:49,000
I sincerely hope for your sake that doesn't happen, Tiago.

541
00:36:49,000 --> 00:36:50,000
Tell you what, Lieutenant.

542
00:36:50,000 --> 00:36:52,000
I'll do better than that.

543
00:36:52,000 --> 00:36:53,000
I help you look. Hmm.

544
00:36:53,000 --> 00:36:56,000
When I find them, I'll make sure to give you a call.

545
00:36:56,000 --> 00:36:59,000
Are you sure you want to waste that call on me, Tiago?

546
00:37:09,000 --> 00:37:11,000
(phone ringing) Hello.

547
00:37:11,000 --> 00:37:12,000
RAY Jr.: Mom?

548
00:37:12,000 --> 00:37:14,000
Ray! Oh, my God, where are you?

549
00:37:14,000 --> 00:37:15,000
I'm okay, Mom.

550
00:37:15,000 --> 00:37:16,000
Ray, honey, I'm in Miami.

551
00:37:16,000 --> 00:37:18,000
I've been looking for you.

552
00:37:18,000 --> 00:37:19,000
Listen to me. You're what?!

553
00:37:19,000 --> 00:37:22,000
I know what you're doing, and you're in real danger.

554
00:37:22,000 --> 00:37:24,000
I am if you're here, Mom. Go home.

555
00:37:24,000 --> 00:37:25,000
Ray, please listen to me.

556
00:37:25,000 --> 00:37:28,000
I have to do this, to save Dad.

557
00:37:28,000 --> 00:37:30,000
And if you try to stop me, they'll kill him.

558
00:37:30,000 --> 00:37:32,000
About your father, I...

559
00:37:32,000 --> 00:37:33,000
There's something I have to tell you.

560
00:37:33,000 --> 00:37:35,000
I don't want to hear it.

561
00:37:35,000 --> 00:37:38,000
And don't try to trace this call, 'cause I'm throwing this phone away.

562
00:37:38,000 --> 00:37:40,000
Ray, please. Ray!

563
00:37:44,000 --> 00:37:45,000
What else did he say?

564
00:37:45,000 --> 00:37:47,000
Nothing, unfortunately.

565
00:37:47,000 --> 00:37:49,000
Just that he was trying to save his father.

566
00:37:49,000 --> 00:37:52,000
Well, at least we know he's still alive. There's more.

567
00:37:52,000 --> 00:37:55,000
I got in touch with one of his friends, Dominic.

568
00:37:55,000 --> 00:37:57,000
Dominic. Okay.

569
00:37:57,000 --> 00:37:59,000
Dominic gave Ray Jr. a gun.

570
00:37:59,000 --> 00:38:00,000
And there's one more thing.

571
00:38:00,000 --> 00:38:05,000
Pablo, one of the boys Ray traveled from Brazil with, got sick.

572
00:38:05,000 --> 00:38:12,000
(panting) (speaking Portuguese) He's in a hospital.

573
00:38:12,000 --> 00:38:13,000
What do you mean sick?

574
00:38:13,000 --> 00:38:14,000
He's in surgery.

575
00:38:14,000 --> 00:38:16,000
They're removing their heroin pellets.

576
00:38:33,000 --> 00:38:35,000
We'll talk later.

577
00:38:40,000 --> 00:38:43,000
WOLFE: Is this what H got at the hospital?

578
00:38:43,000 --> 00:38:45,000
Yeah, from the third kid, Pablo.

579
00:38:45,000 --> 00:38:47,000
Okay, so what exactly are we looking for?

580
00:38:47,000 --> 00:38:52,000
If we can find a byproduct in these things, we can target it on the street.

581
00:38:52,000 --> 00:38:54,000
Okay. So what's all this?

582
00:38:54,000 --> 00:38:55,000
It's the wax, it's the tape.

583
00:38:55,000 --> 00:38:57,000
and there's a carbon layer.

584
00:38:57,000 --> 00:39:00,000
Then there's the tip of the latex glove it was originally packed in.

585
00:39:00,000 --> 00:39:01,000
Hang on a second.

586
00:39:19,000 --> 00:39:20,000
It's a print.

587
00:39:20,000 --> 00:39:24,000
Well, that was packed in Brazil, so I'm not sure how a print's going to help us.

588
00:39:24,000 --> 00:39:26,000
Has a print ever hurt us?

589
00:39:26,000 --> 00:39:29,000
CAINE: You lied to us, Ana.

590
00:39:29,000 --> 00:39:30,000
About what?

591
00:39:30,000 --> 00:39:33,000
An innocent chaperone to these kids?

592
00:39:33,000 --> 00:39:35,000
You packed those pills down in Brazil.

593
00:39:35,000 --> 00:39:36,000
I did nothing of the sort.

594
00:39:36,000 --> 00:39:42,000
DELKO: That's funny because we found found your print packed inside one of these heroin pellets.

595
00:39:50,000 --> 00:39:53,000
If I pack them, they pay me triple.

596
00:39:53,000 --> 00:39:56,000
The money is too good to say no.

597
00:39:56,000 --> 00:39:58,000
So you put these kids' lives at risk.

598
00:39:58,000 --> 00:39:59,000
They're no angels, believe me.

599
00:39:59,000 --> 00:40:02,000
One of these kids was killed, Ana.

600
00:40:03,000 --> 00:40:04,000
Well, that never happened before.

601
00:40:04,000 --> 00:40:07,000
And it's not going to happen again, I can assure you.

602
00:40:07,000 --> 00:40:14,000
(phone ringing) This is Delko.

603
00:40:15,000 --> 00:40:17,000
All right. Thanks.

604
00:40:17,000 --> 00:40:20,000
H, the kid in the hospital-- he's conscious.

605
00:40:20,000 --> 00:40:24,000
He knows where Ray is meeting Matos to give him the drugs.

606
00:40:49,000 --> 00:40:51,000
♪ ♪

607
00:40:56,000 --> 00:40:57,000
I want my dad.

608
00:40:57,000 --> 00:40:59,000
After you give me what I came for.

609
00:41:01,000 --> 00:41:03,000
Gentlemen, put your weapons down.

610
00:41:03,000 --> 00:41:04,000
I want my dad.

611
00:41:04,000 --> 00:41:05,000
Matos, put it down.

612
00:41:05,000 --> 00:41:06,000
You, too, Ray.

613
00:41:06,000 --> 00:41:08,000
Let me speak to my dad. Ray.

614
00:41:08,000 --> 00:41:11,000
Ray, your dad is gone.

615
00:41:11,000 --> 00:41:12,000
He's gone, son.

616
00:41:12,000 --> 00:41:14,000
You killed him?!

617
00:41:14,000 --> 00:41:15,000
Ray.

618
00:41:15,000 --> 00:41:16,000
Ray, don't do it.

619
00:41:16,000 --> 00:41:17,000
RAY: No.

620
00:41:17,000 --> 00:41:18,000
He deserves to die.

621
00:41:18,000 --> 00:41:21,000
If you cross this line, you can't come back, son.

622
00:41:21,000 --> 00:41:22,000
Yeah, kid. Shoot me.

623
00:41:22,000 --> 00:41:25,000
Shoot me, or I'll shoot you.

624
00:41:25,000 --> 00:41:29,000
Ray, this is the last thing that your dad would want you to do.

625
00:41:29,000 --> 00:41:30,000
You got to believe me.

626
00:41:30,000 --> 00:41:32,000
I want you to put it down.

627
00:41:33,000 --> 00:41:34,000
Put it down!

628
00:41:36,000 --> 00:41:37,000
Put it down.

629
00:41:42,000 --> 00:41:44,000
Hey!

630
00:42:11,000 --> 00:42:13,000
You okay, son?

631
00:42:14,000 --> 00:42:17,000
Are you okay?

632
00:42:20,000 --> 00:42:25,000
(sighs) I'm okay.

633
00:42:34,000 --> 00:42:36,000
Why don't you catch the car?

634
00:42:39,000 --> 00:42:42,000
Bye, Uncle Horatio.

635
00:42:42,000 --> 00:42:43,000
See you soon.

636
00:42:47,000 --> 00:42:49,000
Raymond?

637
00:42:49,000 --> 00:42:53,000
His body is being transported as we speak.

638
00:42:53,000 --> 00:42:55,000
There's a Brazilian term.

639
00:42:55,000 --> 00:42:57,000
Saudade.

640
00:42:57,000 --> 00:43:00,000
It's the sadness one feels for happy memories.

641
00:43:00,000 --> 00:43:05,000
Like I have for Ray and you have for Marisol.

642
00:43:05,000 --> 00:43:07,000
What are you going to do?

643
00:43:07,000 --> 00:43:11,000
Brazil is saudade now, too.

644
00:43:11,000 --> 00:43:14,000
Although I'm not really sure what there is here for us.

645
00:43:14,000 --> 00:43:15,000
I do.

646
00:43:15,000 --> 00:43:17,000
What?

647
00:43:17,000 --> 00:43:19,000
Family.

648
00:43:33,000 --> 00:43:47,000
Captioning sponsored by\h CBS, C.S.I. PRODUCTIONS, Captioned by Media Access Group at WGBH\h access.wgbh.org
