1 00:00:24,000 --> 00:00:26,000 ♪ ♪ 2 00:00:36,000 --> 00:00:38,000 Ladies, refreshers, please. 3 00:00:38,000 --> 00:00:42,000 Thanks. 4 00:00:42,000 --> 00:00:44,000 Here's what you need, some more rocket fuel. 5 00:00:44,000 --> 00:00:45,000 Hey, it's not fair. 6 00:00:45,000 --> 00:00:48,000 You guys are not wearing your masks. 7 00:00:48,000 --> 00:00:49,000 How do you know I'm not? 8 00:00:49,000 --> 00:00:53,000 (all chuckle) Oh, come on. Get out of here. Be naughty. Mingle. 9 00:00:53,000 --> 00:00:56,000 Okay. Where are you gonna be? 10 00:00:56,000 --> 00:00:58,000 Mmm, I'll find you, sweetheart. 11 00:00:58,000 --> 00:01:01,000 I will always find you. 12 00:01:02,000 --> 00:01:04,000 Hey. 13 00:01:04,000 --> 00:01:05,000 Oh, come on. Come on. 14 00:01:05,000 --> 00:01:06,000 Let's go. 15 00:01:06,000 --> 00:01:12,000 (women laughing) (melodramatic music playing) 16 00:01:15,000 --> 00:01:18,000 WOMAN (laughs): Oh, God! 17 00:01:18,000 --> 00:01:21,000 (groans) My head won't stop spinning. 18 00:01:21,000 --> 00:01:24,000 I'm gonna get you some water. 19 00:01:24,000 --> 00:01:25,000 Come sit down. 20 00:01:37,000 --> 00:01:42,000 (hard rock plays) That one needs a spanking. 21 00:01:42,000 --> 00:01:43,000 Please, Coop, take it easy, okay? 22 00:01:50,000 --> 00:01:53,000 ♪ ♪ 23 00:02:06,000 --> 00:02:07,000 Tony? 24 00:02:10,000 --> 00:02:12,000 I'm not feeling well. 25 00:02:15,000 --> 00:02:17,000 What are you doing? 26 00:02:17,000 --> 00:02:19,000 Tony? 27 00:02:19,000 --> 00:02:21,000 ♪ ♪ 28 00:03:23,000 --> 00:03:27,000 (gasping softly) Leslie? Leslie? 29 00:03:29,000 --> 00:03:35,000 Tony! 30 00:03:35,000 --> 00:03:39,000 (sobbing) Tony... 31 00:03:39,000 --> 00:03:47,000 (camera shutter clicking) (indistinct radio transmission) MAN: Anna, honey, it's, it's, it's, it's gonna be okay, all right? 32 00:03:47,000 --> 00:03:49,000 It's, it's really... it's gonna be fine. 33 00:03:49,000 --> 00:03:53,000 I'm gonna take care of everything and... everything... 34 00:03:53,000 --> 00:03:56,000 It'll be fine, I-I swear to God. 35 00:03:56,000 --> 00:03:58,000 CAINE: I know who you are... 36 00:03:58,000 --> 00:04:03,000 (camera shutter clicking) And I know what you did in L.A. 37 00:04:03,000 --> 00:04:11,000 (indistinct radio transmission) You are referring to... baseless allegations. 38 00:04:11,000 --> 00:04:16,000 I was acquitted of my wife's murder, and I had nothing to do with this. 39 00:04:18,000 --> 00:04:21,000 I noticed the ink on your hand. 40 00:04:21,000 --> 00:04:24,000 Very good, sir, very good. And? 41 00:04:24,000 --> 00:04:27,000 Clearly, the victim was killed with a pen. 42 00:04:27,000 --> 00:04:30,000 Oh, please, I sign a lot of contracts and checks all day long. 43 00:04:30,000 --> 00:04:32,000 I run a major business from my home... 44 00:04:32,000 --> 00:04:34,000 You're a pornographer, Mr. Enright. 45 00:04:34,000 --> 00:04:36,000 It's adult entertainment. 46 00:04:36,000 --> 00:04:38,000 It's a multibillion-dollar business. 47 00:04:38,000 --> 00:04:40,000 A very legitimate movie business. 48 00:04:40,000 --> 00:04:43,000 Well, then, roll credits, Mr. Enright. 49 00:04:43,000 --> 00:04:45,000 (scoffs) I'm sorry. 50 00:04:45,000 --> 00:04:48,000 That's a wrap. 51 00:04:48,000 --> 00:05:00,000 ♪ Yeah! ♪ Captioning sponsored by\h CBS C.S.I. PRODUCTIONS 52 00:05:10,000 --> 00:05:20,000 ♪ We don't get fooled again ♪ ♪ Don't get fooled again ♪ ♪ No, no! ♪ 53 00:05:40,000 --> 00:05:43,000 Masks, hot air balloons, handcuffs... 54 00:05:43,000 --> 00:05:45,000 What kind of party was this? 55 00:05:45,000 --> 00:05:48,000 Well, the owner of the house is that guy Tony Enright. 56 00:05:48,000 --> 00:05:49,000 He's the porn king. 57 00:05:49,000 --> 00:05:55,000 (indistinct radio transmission) All right, I'm gonna go back with the body, see if I can get something off the murder weapon. All right. 58 00:05:57,000 --> 00:05:58,000 Calleigh, hold up. 59 00:05:58,000 --> 00:06:00,000 Check this out. 60 00:06:04,000 --> 00:06:06,000 What does that look like to you? 61 00:06:08,000 --> 00:06:10,000 Some sort of a listening device. 62 00:06:12,000 --> 00:06:14,000 Oh, my God... 63 00:06:14,000 --> 00:06:15,000 somebody was listening in on the murder. 64 00:06:17,000 --> 00:06:20,000 That's sick! 65 00:06:27,000 --> 00:06:31,000 (indistinct radio transmission) Leslie starred in Tony's films. 66 00:06:31,000 --> 00:06:35,000 (sniffles) She was my best friend. 67 00:06:35,000 --> 00:06:37,000 I'm really sorry. 68 00:06:39,000 --> 00:06:46,000 You know, Anna, I, uh, I actually saw you one time before, when you came down to the precinct to give some evidence. 69 00:06:46,000 --> 00:06:48,000 You're Jesse Cardoza's friend, right? 70 00:06:48,000 --> 00:06:50,000 Jesse Cardoza's no friend of mine. 71 00:06:50,000 --> 00:06:52,000 That guy stalked me all the way from L.A. 72 00:06:52,000 --> 00:06:54,000 Now why would he do that? 73 00:06:54,000 --> 00:06:57,000 'Cause of Tony. 74 00:07:00,000 --> 00:07:06,000 (sighs) So ink is ink. I guess you're gonna prove I got a lot of pens in my house. That's good work. 75 00:07:06,000 --> 00:07:09,000 Look who it is-- the guy that kills every girl he gets close to. 76 00:07:09,000 --> 00:07:11,000 Jesse... Hey, easy, Cardoza, or I'll sue your ass for slander. 77 00:07:11,000 --> 00:07:15,000 I will take you through the courts until your hair goes gray. Go ahead, sue me. 78 00:07:15,000 --> 00:07:17,000 I will sue you! Mr. Enright! 79 00:07:17,000 --> 00:07:21,000 Another word from you, I'll take you into custody myself. 80 00:07:21,000 --> 00:07:23,000 COOP: You better back it off, T.E. 81 00:07:23,000 --> 00:07:25,000 Don't do anything stupid. 82 00:07:25,000 --> 00:07:27,000 And you are? 83 00:07:27,000 --> 00:07:30,000 I guess you don't recognize me. 84 00:07:30,000 --> 00:07:31,000 ENRIGHT: Coop, please. 85 00:07:31,000 --> 00:07:32,000 I used to play for the Dolphins. 86 00:07:32,000 --> 00:07:34,000 Coop Daly's my name. 87 00:07:34,000 --> 00:07:36,000 I work for Mr. Enright now. 88 00:07:36,000 --> 00:07:37,000 Yeah, it's okay, Cooper. All right? 89 00:07:37,000 --> 00:07:39,000 I'm making conversation, that's all, all right? 90 00:07:39,000 --> 00:07:41,000 Now, Lieutenant... 91 00:07:41,000 --> 00:07:48,000 you ask Johnny Hollywood here what happened out in Los Angeles, okay? Are you talking about when you killed your Jesse? wife in cold blood and got away with it? 92 00:07:48,000 --> 00:07:50,000 Is that what you're saying? Yeah, I'm talking about the time you tried to frame me. 93 00:07:50,000 --> 00:07:51,000 Frame you? Excuse me. Excuse me! 94 00:07:51,000 --> 00:07:53,000 What are you talking about, you scumbag?! 95 00:07:53,000 --> 00:07:55,000 Look, he can't control himself. He's a dirty cop! Mr. Enright! 96 00:07:55,000 --> 00:07:58,000 Shut up. 97 00:07:58,000 --> 00:08:02,000 (indistinct radio transmission) Jesse... 98 00:08:02,000 --> 00:08:04,000 H... 99 00:08:04,000 --> 00:08:05,000 Don't let him get away with this. 100 00:08:05,000 --> 00:08:08,000 He's not gonna get away with anything, but this is not the way. 101 00:08:13,000 --> 00:08:15,000 Adios! 102 00:08:18,000 --> 00:08:20,000 Mr. Enright... 103 00:08:20,000 --> 00:08:22,000 just remember what I said. 104 00:08:22,000 --> 00:08:24,000 How could I forget? 105 00:08:30,000 --> 00:08:36,000 (indistinct radio transmission) BOA VISTA: Anna, is there anything at all that you can remember from last night? 106 00:08:36,000 --> 00:08:40,000 No, um, it was just a party. 107 00:08:40,000 --> 00:08:43,000 We were all having a great time. 108 00:08:43,000 --> 00:08:45,000 Um, Tony gave me a glass of wine. 109 00:08:45,000 --> 00:08:50,000 And, um, then it's just a blur. 110 00:08:50,000 --> 00:08:52,000 CARDOZA: We ran a presumptive on Anna's wine glass. 111 00:08:52,000 --> 00:08:53,000 It turned up roofies. 112 00:08:53,000 --> 00:08:56,000 You were drugged, Anna. 113 00:08:56,000 --> 00:09:00,000 Get him away from me. Get him away from me! 114 00:09:00,000 --> 00:09:02,000 Just trying to help, that's all. 115 00:09:02,000 --> 00:09:04,000 Then tell your boss to leave Tony alone. 116 00:09:04,000 --> 00:09:06,000 Okay, okay, we're good here. 117 00:09:06,000 --> 00:09:08,000 I've got it. 118 00:09:17,000 --> 00:09:20,000 Anna, I think we should get you to the hospital, okay? 119 00:09:20,000 --> 00:09:22,000 For some tests. 120 00:09:22,000 --> 00:09:23,000 Why? 121 00:09:23,000 --> 00:09:27,000 Because you were drugged, and anything could have happened after that. 122 00:09:39,000 --> 00:09:44,000 The strange thing is, Leslie wasn't roofied. 123 00:09:44,000 --> 00:09:45,000 Really? 124 00:09:45,000 --> 00:09:49,000 I found stomach acid in her mouth and upper esophageal tract. 125 00:09:49,000 --> 00:09:50,000 WOLFE: Well, here's my guess... 126 00:09:50,000 --> 00:09:52,000 she stumbled onto a sexual assault. 127 00:09:52,000 --> 00:09:54,000 Wrong place, wrong time. 128 00:09:54,000 --> 00:09:55,000 Cost her her life. 129 00:09:55,000 --> 00:09:57,000 What about the murder weapon? 130 00:09:57,000 --> 00:10:00,000 Fountain pen. 131 00:10:00,000 --> 00:10:02,000 Carbonate tube, sterling silver edge. 132 00:10:02,000 --> 00:10:04,000 The killer probably grabbed it \h right off the desk. 133 00:10:04,000 --> 00:10:06,000 DUQUESNE: Yep. All right, \h weapon of opportunity. 134 00:10:06,000 --> 00:10:08,000 That means he wouldn't have \h gloved up first. 135 00:10:08,000 --> 00:10:09,000 We all know what that means. 136 00:10:09,000 --> 00:10:13,000 WOLFE: It means there were prints. 137 00:10:13,000 --> 00:10:19,000 Your fingerprints were found on the murder weapon used to kill Leslie Stoltz, Coop. 138 00:10:19,000 --> 00:10:23,000 (laughs) So, this is all about fingerprints on a pen. 139 00:10:23,000 --> 00:10:25,000 Are you serious? 140 00:10:25,000 --> 00:10:29,000 Yes, dead serious. 141 00:10:33,000 --> 00:10:36,000 You sure know how to be a killjoy, don't ya? 142 00:10:36,000 --> 00:10:38,000 Well, you would know. 143 00:10:38,000 --> 00:10:39,000 You did it. 144 00:10:39,000 --> 00:10:50,000 (shrieking) I didn't kill anybody, little man. 145 00:10:50,000 --> 00:10:52,000 Then why are your prints on that pen? 146 00:10:52,000 --> 00:10:55,000 Well, I guess you don't recognize me. 147 00:10:55,000 --> 00:10:59,000 I used to play for the Dolphins when they were \h the Dolphins. 148 00:10:59,000 --> 00:11:02,000 I sign a lot of autographs. 149 00:11:02,000 --> 00:11:05,000 I probably signed two dozen that night. 150 00:11:05,000 --> 00:11:09,000 I bet I must've used every pen in that whole house. 151 00:11:09,000 --> 00:11:11,000 That's... your story? You're gonna stick with that? 152 00:11:11,000 --> 00:11:15,000 Not only am I gonna stick with it... 153 00:11:15,000 --> 00:11:16,000 but it's the truth, pint-size. 154 00:11:18,000 --> 00:11:20,000 I'm five nine. 155 00:11:20,000 --> 00:11:24,000 (chuckling) My pants are five nine. 156 00:11:27,000 --> 00:11:32,000 I know how these things work, and, uh... we're pretty much done, right? 157 00:11:32,000 --> 00:11:35,000 We're done for now. Don't go far, Mr. Daly; you'll be back. 158 00:11:35,000 --> 00:11:37,000 I guarantee it. 159 00:11:41,000 --> 00:11:47,000 (rapid beeping) You're looking at a Soviet-made laser microwave beam dispersal unit. 160 00:11:48,000 --> 00:11:51,000 Great. Now this time in English? 161 00:11:51,000 --> 00:11:52,000 It's a transmitter for a wireless microphone. 162 00:11:52,000 --> 00:11:54,000 It's a very tricked-out bug. 163 00:11:54,000 --> 00:11:56,000 So I was right. 164 00:11:56,000 --> 00:11:57,000 Someone had ears on that murder. 165 00:11:57,000 --> 00:12:01,000 DUQUESNE: Is there any way of finding out where the signal is transmitting? 166 00:12:01,000 --> 00:12:06,000 Well, high-tech as it may be, it should be able to be tracked like a normal cell transmission. 167 00:12:07,000 --> 00:12:10,000 Triangulating the satellites. 168 00:12:10,000 --> 00:12:12,000 Telescoping down. 169 00:12:12,000 --> 00:12:16,000 (beeping) Oh. Got a hit right there. 170 00:12:16,000 --> 00:12:19,000 Okay, am I going crazy? 171 00:12:19,000 --> 00:12:22,000 The receiver's in our parking garage? 172 00:12:23,000 --> 00:12:26,000 No, you're not crazy. 173 00:12:26,000 --> 00:12:28,000 I'm gonna go check that out. 174 00:12:28,000 --> 00:12:29,000 You want backup? 175 00:12:29,000 --> 00:12:30,000 No. 176 00:12:30,000 --> 00:12:32,000 I got it. 177 00:12:48,000 --> 00:12:50,000 What are you doing, Calleigh? 178 00:12:52,000 --> 00:12:53,000 Open the trunk, Jesse. 179 00:13:13,000 --> 00:13:15,000 Back away from the car. 180 00:13:15,000 --> 00:13:17,000 Do it. 181 00:13:17,000 --> 00:13:18,000 Come on. 182 00:13:24,000 --> 00:13:26,000 Is that a recording of the murder? 183 00:13:26,000 --> 00:13:29,000 I assume it's on there. 184 00:13:29,000 --> 00:13:32,000 I was just about to link in. 185 00:13:32,000 --> 00:13:34,000 When did you put the bug at Enright's house? 186 00:13:34,000 --> 00:13:36,000 Eight days ago. 187 00:13:38,000 --> 00:13:42,000 Breaking and entering-- I tell you what, man, you are way off the reservation. 188 00:13:42,000 --> 00:13:43,000 No, I didn't break in. 189 00:13:43,000 --> 00:13:45,000 Enright was hosting a party; I walked in. 190 00:13:58,000 --> 00:13:59,000 What are you doing? 191 00:13:59,000 --> 00:14:01,000 This guy's a murderer. 192 00:14:01,000 --> 00:14:03,000 A murderer! Do you understand that? 193 00:14:05,000 --> 00:14:09,000 Well, I think about my wife Tracy every day, and then I see his face. 194 00:14:11,000 --> 00:14:14,000 I wanted something to put him away. 195 00:14:17,000 --> 00:14:18,000 All right. 196 00:14:18,000 --> 00:14:23,000 I'll tell you what, if you're right, I'll help you. 197 00:14:23,000 --> 00:14:25,000 But you better be right. 198 00:14:28,000 --> 00:14:30,000 WOMAN (recorded): Oh, my God. What are you doing to her? 199 00:14:30,000 --> 00:14:32,000 MAN: You shouldn't be here. 200 00:14:32,000 --> 00:14:34,000 You're sick! I'm calling the police! 201 00:14:34,000 --> 00:14:36,000 (door slams) WOMAN: Oh, my God. 202 00:14:36,000 --> 00:14:37,000 What are you doing to her? 203 00:14:37,000 --> 00:14:38,000 MAN: You shouldn't be here. 204 00:14:38,000 --> 00:14:40,000 You're sick! I'm calling the police! 205 00:14:40,000 --> 00:14:50,000 (door slams) Woman's voice belongs to our murder victim, Leslie Stoltz, and we think the male voice belongs to Coop Daly, Enright's security. 206 00:14:50,000 --> 00:14:54,000 I'm still working a timbre comparison, but I'm fairly certain it's a lock. 207 00:14:54,000 --> 00:14:55,000 Well, it's compelling evidence. 208 00:14:55,000 --> 00:14:57,000 Puts Daly in the room. 209 00:14:57,000 --> 00:14:59,000 Unfortunately, you can't use it in a court of law. 210 00:14:59,000 --> 00:15:02,000 Can we float it to potential jurors? 211 00:15:02,000 --> 00:15:04,000 The takeaway will be, Cardoza's still a dirty cop. 212 00:15:04,000 --> 00:15:05,000 Wait a minute, what? 213 00:15:05,000 --> 00:15:09,000 Murder case in L.A., evidence didn't fit his theory, he made it disappear. 214 00:15:09,000 --> 00:15:13,000 CAINE: Rebecca, accusations were made-- nothing was ever proven. 215 00:15:13,000 --> 00:15:19,000 Okay, but the cloud around it drove him here to Miami, and so here we are again with Cardoza's dirty evidence. 216 00:15:19,000 --> 00:15:22,000 My advice, Horatio: fire him. 217 00:15:22,000 --> 00:15:23,000 Out of the question. 218 00:15:23,000 --> 00:15:25,000 Suit yourself. 219 00:15:25,000 --> 00:15:31,000 But not only will I reject this evidence, I will reject all evidence that Cardoza has anything to do with. 220 00:15:31,000 --> 00:15:33,000 He is compromising your lab. 221 00:15:33,000 --> 00:15:35,000 Well, then I have no choice but to clear his name. Thank you, Walter. 222 00:15:35,000 --> 00:15:38,000 (quietly): Sure thing, H. 223 00:15:38,000 --> 00:15:40,000 Horatio. 224 00:15:40,000 --> 00:15:41,000 Yes, Ms. Nevins? 225 00:15:41,000 --> 00:15:44,000 Why go to all this trouble for just one CSI? 226 00:15:44,000 --> 00:15:46,000 Because he is a member of my team. 227 00:15:46,000 --> 00:15:47,000 Oh, cop loyalty. Right. 228 00:15:47,000 --> 00:15:54,000 (chuckles) Okay, you get me new information on Cardoza, I'll reconsider-- but one of my people goes with you. 229 00:15:54,000 --> 00:15:56,000 Based on my approval. 230 00:15:59,000 --> 00:16:00,000 Eric. 231 00:16:00,000 --> 00:16:02,000 (chuckles): H, hey. 232 00:16:02,000 --> 00:16:03,000 Oh, Rebecca. 233 00:16:03,000 --> 00:16:07,000 So the S.A. put me on the schedule to work the Leslie Stoltz murder. 234 00:16:07,000 --> 00:16:09,000 Fine. 235 00:16:09,000 --> 00:16:11,000 First assignment: shadow Lieutenant Caine. 236 00:16:11,000 --> 00:16:13,000 Thank you, Ms. Nevins. Mm-hmm. 237 00:16:13,000 --> 00:16:14,000 What's going on? 238 00:16:14,000 --> 00:16:15,000 We're going to L.A. 239 00:16:16,000 --> 00:16:17,000 L.A., huh? 240 00:16:27,000 --> 00:16:29,000 ♪ ♪ 241 00:16:46,000 --> 00:16:48,000 ♪ ♪ 242 00:17:14,000 --> 00:17:17,000 Lieutenant Caine, welcome to L.A. 243 00:17:17,000 --> 00:17:19,000 Captain Sutter, Eric Delko. 244 00:17:19,000 --> 00:17:25,000 So what brings you gentlemen to my town, besides the weather, the women and the Lakers? (chuckles) Jesse Cardoza. 245 00:17:25,000 --> 00:17:27,000 How is Cardoza? 246 00:17:27,000 --> 00:17:29,000 We're here about the Enright case, Captain. 247 00:17:29,000 --> 00:17:31,000 Bel Air mansion. 248 00:17:31,000 --> 00:17:33,000 Tony Enright sliced up his wife. 249 00:17:33,000 --> 00:17:35,000 Cardoza was the primary. 250 00:17:35,000 --> 00:17:38,000 And he had him nailed, till trial. 251 00:17:38,000 --> 00:17:40,000 How do you go from top cop to zero? 252 00:17:40,000 --> 00:17:43,000 That's all on the record. 253 00:17:43,000 --> 00:17:45,000 I need to see that file, Captain. 254 00:17:45,000 --> 00:17:48,000 Gentlemen, that ship sailed. 255 00:17:48,000 --> 00:17:50,000 Double jeopardy's a bitch. 256 00:17:50,000 --> 00:17:52,000 Not for Cardoza. 257 00:17:52,000 --> 00:17:54,000 Well, that doesn't sound like my business. 258 00:17:54,000 --> 00:17:56,000 It is now. 259 00:17:56,000 --> 00:17:58,000 All right, gentlemen, follow me. 260 00:18:25,000 --> 00:18:30,000 DELKO: All this evidence says one thing: Enright murdered his wife brutally. 261 00:18:30,000 --> 00:18:32,000 The guy's a known wife abuser. 262 00:18:32,000 --> 00:18:37,000 Jesse found blood from the dead wife on Enright's clothes and in his car. 263 00:18:37,000 --> 00:18:39,000 And then he walks. Yeah. 264 00:18:39,000 --> 00:18:41,000 Right in front of all the cameras. 265 00:18:41,000 --> 00:18:43,000 Real black mark for the department. 266 00:18:45,000 --> 00:18:47,000 Ah. You know what? 267 00:18:48,000 --> 00:18:52,000 (murmuring) Here. 268 00:18:52,000 --> 00:18:55,000 Here's the thing that brought Jesse down. 269 00:18:55,000 --> 00:19:00,000 Homicide found a key piece of evidence at the murder scene. 270 00:19:00,000 --> 00:19:03,000 A cuff link was thought to belong to another suspect, not Enright. 271 00:19:03,000 --> 00:19:04,000 Cardoza photographed it... 272 00:19:04,000 --> 00:19:07,000 but it never showed up in the evidence locker. 273 00:19:07,000 --> 00:19:09,000 Why not? 274 00:19:09,000 --> 00:19:11,000 Paper says it went missing. 275 00:19:11,000 --> 00:19:15,000 CAINE: Initials "A.T." 276 00:19:15,000 --> 00:19:18,000 Jury TV had gavel-to-gavel coverage of the whole trial. 277 00:19:18,000 --> 00:19:19,000 Uh... 278 00:19:21,000 --> 00:19:22,000 Yeah. 279 00:19:22,000 --> 00:19:25,000 This is from the day Enright's lawyer grilled Jesse. 280 00:19:29,000 --> 00:19:33,000 (taps key) ATTORNEY (on video): Ah, Detective Cardoza... 281 00:19:33,000 --> 00:19:39,000 Now, you took the photograph of this bloody cuff link at the murder scene, correct? 282 00:19:39,000 --> 00:19:41,000 Yes, I did. Ah. 283 00:19:41,000 --> 00:19:46,000 And would you please read out for the court, uh, the initials that are engraved on that cuff link? 284 00:19:46,000 --> 00:19:48,000 CARDOZA: "A.T." 285 00:19:48,000 --> 00:19:53,000 Well, those don't appear to be the initials of my client, Tony Enright, now, do they? 286 00:19:55,000 --> 00:19:57,000 Was that a yes or a no? 287 00:19:57,000 --> 00:19:58,000 No. 288 00:19:58,000 --> 00:20:01,000 No. Thank you. 289 00:20:01,000 --> 00:20:06,000 Um, there-there appears to be blood on this cuff link. 290 00:20:06,000 --> 00:20:11,000 Now, will you tell us, please, is that the victim's blood or the perpetrator? 291 00:20:11,000 --> 00:20:13,000 I don't know. 292 00:20:13,000 --> 00:20:16,000 I'm so sorry, I'm... going a little deaf in this ear. 293 00:20:16,000 --> 00:20:18,000 Could you, uh, repeat that a bit louder? 294 00:20:18,000 --> 00:20:20,000 I don't know. 295 00:20:20,000 --> 00:20:23,000 You don't know? 296 00:20:23,000 --> 00:20:25,000 He doesn't know. 297 00:20:25,000 --> 00:20:29,000 Well! But surely, this is very important evidence. 298 00:20:29,000 --> 00:20:32,000 I mean, Mrs. Enright could have ripped it from the sleeve of her perpetrator, right? 299 00:20:34,000 --> 00:20:39,000 (gasps) (blade stabbing) (gasping) 300 00:20:43,000 --> 00:20:45,000 All right, tell me, where is it? 301 00:20:45,000 --> 00:20:52,000 Where is this bloody cuff link that you photographed so ably at the crime scene? 302 00:20:54,000 --> 00:20:57,000 We've been unable to locate it. 303 00:20:59,000 --> 00:21:02,000 It disappeared... just poof, hmm? 304 00:21:02,000 --> 00:21:10,000 I mean, evidence that could prove that someone other than my client murdered Victoria Enright. 305 00:21:12,000 --> 00:21:13,000 Yes. 306 00:21:13,000 --> 00:21:18,000 So you wouldn't mind if they searched your house for that cuff link, would you? You're not gonna find it there. 307 00:21:18,000 --> 00:21:20,000 Why? Did you hide it somewhere else? 308 00:21:20,000 --> 00:21:22,000 That's not what I meant. 309 00:21:22,000 --> 00:21:25,000 No. What you meant... 310 00:21:25,000 --> 00:21:30,000 was to be judge and jury, hiding evidence that would vindicate my client. 311 00:21:30,000 --> 00:21:32,000 And you know what? 312 00:21:32,000 --> 00:21:35,000 You very nearly succeeded. 313 00:21:35,000 --> 00:21:37,000 Thank you. 314 00:21:40,000 --> 00:21:42,000 So... 315 00:21:42,000 --> 00:21:45,000 who owns the cuff link... 316 00:21:45,000 --> 00:21:48,000 and where did it go, Eric? 317 00:21:48,000 --> 00:21:50,000 We figure that out, we clear Jesse, right? 318 00:21:50,000 --> 00:21:53,000 Or we sink him. 319 00:22:08,000 --> 00:22:09,000 Okay. 320 00:22:09,000 --> 00:22:17,000 (sighs) Our forensic nurse found evidence of forcible sexual intercourse. 321 00:22:17,000 --> 00:22:21,000 But there was no evidence of male contribution. 322 00:22:21,000 --> 00:22:23,000 What does that mean? 323 00:22:23,000 --> 00:22:26,000 It means that your attacker wore a condom. 324 00:22:29,000 --> 00:22:31,000 None of this makes sense. 325 00:22:32,000 --> 00:22:34,000 I know. 326 00:22:36,000 --> 00:22:40,000 This may be a little strange question to ask, but, um... 327 00:22:40,000 --> 00:22:43,000 do you think that Tony could've had anything to do with it? 328 00:22:43,000 --> 00:22:47,000 How can you even ask me that? 329 00:22:47,000 --> 00:22:52,000 Look, Tony gets accused of things, but... people don't know him like I do. 330 00:22:52,000 --> 00:22:57,000 I'm just asking because I was married to someone like him once. 331 00:22:57,000 --> 00:23:02,000 And, um, I know what that can do to your self-image. 332 00:23:02,000 --> 00:23:04,000 It's not like that with Tony and me. 333 00:23:04,000 --> 00:23:06,000 And I used to defend him, as well. 334 00:23:08,000 --> 00:23:12,000 And I paid a pretty heavy price. 335 00:23:16,000 --> 00:23:18,000 If, um... 336 00:23:18,000 --> 00:23:23,000 I mean, if you ever feel like you want to talk to someone, here's my card. 337 00:23:47,000 --> 00:23:48,000 BENTON: Okay, guys. 338 00:23:48,000 --> 00:23:50,000 We're now in a Cisco WebEx Meeting. 339 00:23:50,000 --> 00:23:51,000 Are we ready? 340 00:23:51,000 --> 00:23:53,000 Dave, is this line secure? 341 00:23:53,000 --> 00:23:55,000 Absolutely secure, H. 342 00:23:55,000 --> 00:23:56,000 The system guarantees it. 343 00:23:56,000 --> 00:24:01,000 Horatio, I'm sure I don't have to tell you, but I never touched that cuff link. 344 00:24:01,000 --> 00:24:03,000 I saw it and I popped off two-by-fives. 345 00:24:03,000 --> 00:24:04,000 CAINE: Okay, I understand that, Jesse. 346 00:24:04,000 --> 00:24:07,000 Now, can we run the cuff link through the database, gentlemen? 347 00:24:07,000 --> 00:24:11,000 Our cuff link has a unique appearance, so we should be able to run it through image recognition software. 348 00:24:11,000 --> 00:24:15,000 CARDOZA: I did a similar search two and a half years ago, nothing came up. 349 00:24:15,000 --> 00:24:16,000 BENTON: No, no, no. This is different, this is new. 350 00:24:16,000 --> 00:24:19,000 It's like facial recognition software. 351 00:24:19,000 --> 00:24:23,000 Compares shapes and features, then searches for any comparable image anywhere on the Web. 352 00:24:23,000 --> 00:24:28,000 (computer trilling) CAINE: Okay, did we get a match? 353 00:24:28,000 --> 00:24:31,000 (computer beeps) We have a match. 354 00:24:31,000 --> 00:24:34,000 CARDOZA: Westside Platinum Jewelers. 355 00:24:34,000 --> 00:24:35,000 I heard of that place. 356 00:24:35,000 --> 00:24:37,000 BENTON: They must have taken their store online. 357 00:24:37,000 --> 00:24:39,000 Okay, Eric and I are gonna check into that. 358 00:24:39,000 --> 00:24:40,000 Thank you, gentlemen. 359 00:24:40,000 --> 00:24:42,000 What can I do? 360 00:24:42,000 --> 00:24:45,000 CAINE: Jesse, just lay low. 361 00:24:52,000 --> 00:24:54,000 H. 362 00:24:54,000 --> 00:24:55,000 Westside Platinum. 363 00:24:55,000 --> 00:24:57,000 I got a batch of orders for the cuff links. 364 00:24:57,000 --> 00:25:00,000 All right, I'm gonna print out the company list, we'll go name by name. 365 00:25:00,000 --> 00:25:02,000 Wait a second. Right there. 366 00:25:02,000 --> 00:25:04,000 Darren Vogel. 367 00:25:04,000 --> 00:25:06,000 That's Enright's attorney. 368 00:25:06,000 --> 00:25:09,000 Yeah, Vogel bought a pair of the cuff links a week before the murder. 369 00:25:09,000 --> 00:25:11,000 Think that's a coincidence? 370 00:25:11,000 --> 00:25:12,000 Not a chance, Eric. 371 00:25:12,000 --> 00:25:14,000 Oh... 372 00:25:14,000 --> 00:25:17,000 Looks like we've got some babysitters. 373 00:25:17,000 --> 00:25:21,000 (indistinct radio chatter) Have a nice day, gentlemen. 374 00:25:26,000 --> 00:25:28,000 (chuckles) Well, what are you doing? 375 00:25:28,000 --> 00:25:32,000 What... (laughs) What are you wearing? Get off the phone, please. 376 00:25:32,000 --> 00:25:34,000 (laughs) Bunny? Yeah. No, I'll buy it for you, I'll buy it. 377 00:25:34,000 --> 00:25:36,000 Excuse me. 378 00:25:36,000 --> 00:25:39,000 Uh, I think we've got a prospective client here. 379 00:25:39,000 --> 00:25:41,000 Yes, I-I've got to go. All right. Yeah, all right. 380 00:25:41,000 --> 00:25:43,000 I'll see you at 7:00. Yeah, love you. 381 00:25:47,000 --> 00:25:51,000 Now, you boys know that my billing rate is $2,000 an hour. 382 00:25:51,000 --> 00:25:54,000 But here's the good news: I take euros. 383 00:25:54,000 --> 00:25:56,000 We are not soliciting counsel. 384 00:25:56,000 --> 00:25:58,000 We're here about the Tony Enright case. 385 00:25:58,000 --> 00:26:01,000 Enright? Come on. That's old history, isn't it? 386 00:26:01,000 --> 00:26:02,000 He was acquitted. 387 00:26:02,000 --> 00:26:03,000 Until now. 388 00:26:05,000 --> 00:26:08,000 (chuckles) I'm in the acquittal business. 389 00:26:08,000 --> 00:26:14,000 Look, it's my life's mission to keep the wrongly accused from being incarcerated. 390 00:26:14,000 --> 00:26:18,000 Yeah, like, uh, like that little girl last year, right? 391 00:26:18,000 --> 00:26:20,000 Was accused of killing her brother. 392 00:26:20,000 --> 00:26:22,000 Yes! Thank you for bringing that up. 393 00:26:22,000 --> 00:26:23,000 One of my great trials. 394 00:26:23,000 --> 00:26:24,000 Hannah Miller. 395 00:26:24,000 --> 00:26:27,000 Evidence against Hannah was, uh, was overwhelming. 396 00:26:27,000 --> 00:26:33,000 Yes. Until they found a pair of girl's glasses at the crime scene that didn't match. 397 00:26:33,000 --> 00:26:37,000 Now, obviously, that was left by the real killer. 398 00:26:37,000 --> 00:26:39,000 And the jury agreed with me. 399 00:26:39,000 --> 00:26:40,000 Yes. 400 00:26:40,000 --> 00:26:41,000 How convenient. 401 00:26:41,000 --> 00:26:46,000 Ah, well, you know, I'm good at finding holes in the prosecution's case. 402 00:26:46,000 --> 00:26:48,000 I mean, that is my gift. 403 00:26:48,000 --> 00:26:50,000 Your gift is planting evidence. 404 00:26:50,000 --> 00:26:52,000 Oh, wh-wh-wh-whoo. 405 00:26:52,000 --> 00:26:53,000 (singsong): Careful. 406 00:26:53,000 --> 00:26:55,000 That's libelous. 407 00:26:55,000 --> 00:26:56,000 DELKO: About the Enright case. 408 00:26:56,000 --> 00:27:04,000 Fact remains that those cuff links left a reasonable doubt, and you were the one that purchased 'em. 409 00:27:04,000 --> 00:27:05,000 We have proof right there. 410 00:27:05,000 --> 00:27:06,000 Oh, I see. 411 00:27:06,000 --> 00:27:07,000 (chuckles): This is proof. 412 00:27:07,000 --> 00:27:09,000 Is it? 413 00:27:09,000 --> 00:27:11,000 Well, this is fake. 414 00:27:14,000 --> 00:27:15,000 Huh. 415 00:27:15,000 --> 00:27:16,000 Oh. 416 00:27:16,000 --> 00:27:19,000 Oh, yeah, that's my credit card number there. 417 00:27:19,000 --> 00:27:21,000 Oh! 418 00:27:21,000 --> 00:27:25,000 (snaps fingers) (laughs) Vexing, isn't it? Eh? 419 00:27:25,000 --> 00:27:30,000 The cuff link that I bought-- very similar in design and style-- winds up at a crime scene. 420 00:27:30,000 --> 00:27:32,000 Let's cut the BS. 421 00:27:32,000 --> 00:27:35,000 You planted it there to help your client beat a murder rap. 422 00:27:35,000 --> 00:27:37,000 Whoa, whoa, whoa, whoa. 423 00:27:37,000 --> 00:27:38,000 Is that your theory? 424 00:27:38,000 --> 00:27:40,000 That's not fact. 425 00:27:40,000 --> 00:27:41,000 There's no foundation there. 426 00:27:41,000 --> 00:27:45,000 Plant anything else, and I will personally drive you to Chino. 427 00:27:45,000 --> 00:27:50,000 (chuckles softly) Yes, I believe you would. 428 00:27:52,000 --> 00:27:57,000 As a matter of fact, I've been contemplating retiring, anyway. 429 00:27:57,000 --> 00:27:58,000 That's your problem. 430 00:28:04,000 --> 00:28:07,000 You know, you can buy a sense of humor. 431 00:28:22,000 --> 00:28:25,000 ♪ ♪ 432 00:28:37,000 --> 00:28:39,000 We got to catch this guy, Calleigh. 433 00:28:39,000 --> 00:28:42,000 We got to catch him. I just-- I know he did it. 434 00:28:42,000 --> 00:28:47,000 I think I may have found a way. 435 00:28:47,000 --> 00:28:48,000 Really? 436 00:28:48,000 --> 00:28:53,000 Well, I started thinking about it, and the print alone is not gonna sink Coop Daly. 437 00:28:53,000 --> 00:28:57,000 No, he's got, uh, that other explanation-- the, um, autograph defense. 438 00:28:57,000 --> 00:29:03,000 Exactly. So if the print won't do it, maybe what's inside the print will. 439 00:29:03,000 --> 00:29:05,000 Now you lost me. 440 00:29:05,000 --> 00:29:08,000 I'm gonna break down the chemical compound \h in Coop's fingerprint. 441 00:29:08,000 --> 00:29:12,000 Within that, I think there may \h be something he can't refute. 442 00:29:16,000 --> 00:29:23,000 Dimethicone silicone- based lubricant, and cells consistent with lambskin. 443 00:29:23,000 --> 00:29:24,000 Lambskin? 444 00:29:24,000 --> 00:29:26,000 That's a condom. 445 00:29:26,000 --> 00:29:27,000 Exactly. 446 00:29:30,000 --> 00:29:31,000 Coop was wearing a condom. 447 00:29:31,000 --> 00:29:33,000 So was Anna's rapist. 448 00:29:33,000 --> 00:29:35,000 This spectra has a unique chemical signature. 449 00:29:35,000 --> 00:29:37,000 Mm-hmm. 450 00:29:37,000 --> 00:29:40,000 I'm gonna run it against the spectra from Anna's sex kit. 451 00:29:40,000 --> 00:29:42,000 ♪ ♪ 452 00:29:49,000 --> 00:29:53,000 So, um, what kind of condom do I use? 453 00:29:53,000 --> 00:29:55,000 What's my favorite? 454 00:29:55,000 --> 00:29:58,000 My brand of choice? 455 00:29:58,000 --> 00:29:59,000 I rarely use them. 456 00:29:59,000 --> 00:30:03,000 So it's kind of a, um, personal question. 457 00:30:03,000 --> 00:30:05,000 Actually, it's evidence. 458 00:30:05,000 --> 00:30:07,000 Really? 459 00:30:07,000 --> 00:30:12,000 DUQUESNE: There were specific traces in Anna Kitson that we also found in the oil of your fingerprint. 460 00:30:12,000 --> 00:30:16,000 That print is the same as the one on the murder weapon. 461 00:30:16,000 --> 00:30:23,000 So, just to get this straight, you raped Anna, you killed Leslie Stoltz, and we can tie you to both. 462 00:30:23,000 --> 00:30:26,000 You guys are pretty funny. 463 00:30:26,000 --> 00:30:28,000 I mean, you just crack me up. 464 00:30:28,000 --> 00:30:32,000 You really think you're gonna pin a murder rap on me... 465 00:30:32,000 --> 00:30:34,000 based on a lambskin condom? 466 00:30:38,000 --> 00:30:42,000 I don't think anybody here mentioned a lambskin condom, genius. 467 00:30:42,000 --> 00:30:45,000 That's knowledge only the killer would have. 468 00:30:47,000 --> 00:30:48,000 (sighs): Ah. 469 00:30:50,000 --> 00:31:04,000 (sighs) (mutters) You know, Mr. Enright told me that she'd be a willing participant. 470 00:31:04,000 --> 00:31:07,000 He told me that he was sick of the bitch. 471 00:31:07,000 --> 00:31:12,000 He gave her to me, as a bonus, because we had a good year. 472 00:31:14,000 --> 00:31:18,000 You know, if she would've just relaxed and just... 473 00:31:18,000 --> 00:31:23,000 stayed with the program, everything would've been just fine. 474 00:31:23,000 --> 00:31:26,000 So that's when Leslie tried to stop you. 475 00:31:26,000 --> 00:31:28,000 She came barging in. 476 00:31:28,000 --> 00:31:32,000 And everything kind of went, uh... 477 00:31:32,000 --> 00:31:35,000 everything kind of went haywire. 478 00:31:35,000 --> 00:31:36,000 LESLIE: Oh, my God. 479 00:31:36,000 --> 00:31:37,000 What are you doing to her? 480 00:31:37,000 --> 00:31:39,000 You shouldn't be here. 481 00:31:39,000 --> 00:31:43,000 (thudding) (shrill, distorted screaming) 482 00:31:48,000 --> 00:31:52,000 WOLFE: So you roofied Anna because she wouldn't cooperate. 483 00:31:52,000 --> 00:31:55,000 I didn't roofie anybody, pint-size. 484 00:31:55,000 --> 00:31:58,000 That was Tony. 485 00:31:58,000 --> 00:32:00,000 Do you want her? You can have her. 486 00:32:00,000 --> 00:32:02,000 Ah, you're kidding, right? 487 00:32:02,000 --> 00:32:03,000 No, I'm not kidding, Coop. 488 00:32:03,000 --> 00:32:05,000 It's been a really, really good year, okay? 489 00:32:05,000 --> 00:32:07,000 Now you, my friend, deserve a little bonus. 490 00:32:08,000 --> 00:32:10,000 Ladies, refreshers. 491 00:32:15,000 --> 00:32:20,000 DUQUESNE: You're under arrest, Mr. Daly. (chuckles) Get this animal out of here. 492 00:32:22,000 --> 00:32:24,000 See you later, baby. 493 00:32:32,000 --> 00:32:38,000 Well, it's about time. Do you mind telling me why I have been here for over an hour, drinking this swill... 494 00:32:38,000 --> 00:32:40,000 with no access to a telephone? 495 00:32:42,000 --> 00:32:43,000 Well, I'll tell you what. 496 00:32:43,000 --> 00:32:45,000 You can borrow mine, Mr. Enright. 497 00:32:45,000 --> 00:32:46,000 Use it to call your lawyer. 498 00:32:46,000 --> 00:32:51,000 Let him know we're booking you for pandering and possession of a controlled substance. 499 00:32:51,000 --> 00:32:53,000 And we've got a good shot at tying you in to Leslie Stoltz's murder. 500 00:32:53,000 --> 00:32:56,000 Oh, please. 501 00:32:56,000 --> 00:32:58,000 You people just don't get it, do you? 502 00:32:58,000 --> 00:33:02,000 You know, your good friend Coop Daly-- he sold you out. 503 00:33:02,000 --> 00:33:04,000 The actions you took led to Leslie Stoltz's death. 504 00:33:04,000 --> 00:33:06,000 That's felony murder. 505 00:33:06,000 --> 00:33:10,000 Well, I could just say one little magic word. 506 00:33:10,000 --> 00:33:12,000 What's that? 507 00:33:12,000 --> 00:33:17,000 Car... do... za. 508 00:33:19,000 --> 00:33:23,000 The judge is going to toss this case out right away, and you know it. 509 00:33:23,000 --> 00:33:26,000 You see, that's where you're wrong, Mr. Enright. 510 00:33:26,000 --> 00:33:29,000 So, what are you saying? 511 00:33:29,000 --> 00:33:35,000 You going to do a better job than the world-famous LAPD? 512 00:33:47,000 --> 00:33:53,000 DELKO: If any of these crime scene photos would have shown who took that cuff link, I think someone would have noticed by now. 513 00:33:53,000 --> 00:33:55,000 Somebody did notice. 514 00:33:55,000 --> 00:33:58,000 Eric, take a look at this. 515 00:33:58,000 --> 00:34:01,000 DELKO: It's the same lady in every one of these photos. 516 00:34:01,000 --> 00:34:02,000 Yes. Watch this. 517 00:34:02,000 --> 00:34:05,000 Bang, bang, bang. 518 00:34:05,000 --> 00:34:06,000 That's her again. 519 00:34:06,000 --> 00:34:08,000 She's got... she's got a camera. 520 00:34:08,000 --> 00:34:10,000 Eric, she can help us. 521 00:34:10,000 --> 00:34:14,000 (chuckles) H, in a city as big as L.A., how are we going to find one girl? 522 00:34:14,000 --> 00:34:16,000 This is how. 523 00:34:16,000 --> 00:34:19,000 She's got a press pass. 524 00:34:19,000 --> 00:34:22,000 (cell phone ringing) Olivia Burch. 525 00:34:22,000 --> 00:34:24,000 Excuse me. 526 00:34:24,000 --> 00:34:25,000 Captain Sutter. 527 00:34:25,000 --> 00:34:26,000 Enjoying your lunch, Lieutenant? 528 00:34:26,000 --> 00:34:28,000 Yes, as a matter of fact we are. 529 00:34:28,000 --> 00:34:31,000 We're doing what we came to Los Angeles to do, Captain. 530 00:34:31,000 --> 00:34:34,000 Then you know you're wasting your time. 531 00:34:34,000 --> 00:34:35,000 That's called clean police work. 532 00:34:37,000 --> 00:34:40,000 Are you suggesting I'm not clean? 533 00:34:40,000 --> 00:34:42,000 I guess we're about to find out, Captain. 534 00:34:46,000 --> 00:34:50,000 (guitar playing blues-rock) (camera shutter snapping) 535 00:35:01,000 --> 00:35:03,000 Ooh, you getting what you need? 536 00:35:03,000 --> 00:35:04,000 Everything, uh, everything groovy? 537 00:35:04,000 --> 00:35:06,000 Got the grippers in place and all that? 538 00:35:06,000 --> 00:35:08,000 Yeah. 539 00:35:08,000 --> 00:35:10,000 So how...? I think it's that way. 540 00:35:10,000 --> 00:35:11,000 Okay, let me take... You don't know. 541 00:35:11,000 --> 00:35:13,000 Okay, I'll take it of you. 542 00:35:13,000 --> 00:35:14,000 Do the move. 543 00:35:14,000 --> 00:35:17,000 (laughter) WOMAN: Great. 544 00:35:17,000 --> 00:35:20,000 Nice, Billy, really nice. 545 00:35:20,000 --> 00:35:27,000 ♪ ♪ Ms. Burch. 546 00:35:27,000 --> 00:35:29,000 Whoa, whoa, whoa, whoa, whoa. 547 00:35:29,000 --> 00:35:31,000 This is a closed set. 548 00:35:31,000 --> 00:35:33,000 I'm Eric Delko from Miami State Attorney's Office. 549 00:35:33,000 --> 00:35:36,000 And this is Lieutenant Caine from Miami-Dade PD. 550 00:35:36,000 --> 00:35:38,000 Could we have a word, please? 551 00:35:38,000 --> 00:35:39,000 Take a break, Billy. 552 00:35:39,000 --> 00:35:41,000 What can I do for you? 553 00:35:41,000 --> 00:35:43,000 The Tony Enright case. 554 00:35:43,000 --> 00:35:47,000 DELKO: We have a photograph of you at the crime scene from a few years ago. 555 00:35:47,000 --> 00:35:48,000 Oh, yeah. 556 00:35:48,000 --> 00:35:50,000 I was freelancing then. 557 00:35:50,000 --> 00:35:52,000 Thought I could sell a few shots to a news wire, maybe a tabloid. 558 00:35:52,000 --> 00:35:53,000 Did you? 559 00:35:53,000 --> 00:35:57,000 Two hours in the sun, three rolls of film-- didn't sell a thing. 560 00:35:57,000 --> 00:35:59,000 Do you still have the photographs? 561 00:35:59,000 --> 00:36:01,000 Yeah, I have everything inside. 562 00:36:01,000 --> 00:36:04,000 Stuart, can you go grab my negatives for me? 563 00:36:04,000 --> 00:36:06,000 Copy that. 564 00:36:06,000 --> 00:36:07,000 Be right back, Billy. 565 00:36:07,000 --> 00:36:09,000 What are you hoping to find? 566 00:36:09,000 --> 00:36:12,000 We're trying to clear a good man's name. 567 00:36:12,000 --> 00:36:20,000 ♪ ♪ These are, uh, these are all from the Enright crime scene. 568 00:36:20,000 --> 00:36:21,000 Okay, let's scan those. 569 00:36:23,000 --> 00:36:26,000 DELKO: All right. (mutters) 570 00:36:29,000 --> 00:36:31,000 Let me invert the images. 571 00:36:33,000 --> 00:36:40,000 CAINE: All right, there's Jesse, there's the house, the front gate, more house. 572 00:36:40,000 --> 00:36:42,000 What else we got, Eric? 573 00:36:42,000 --> 00:36:45,000 (mutters) Wait a minute. 574 00:36:45,000 --> 00:36:46,000 Eric, go back. 575 00:36:46,000 --> 00:36:47,000 Go back. 576 00:36:47,000 --> 00:36:48,000 What is he doing? 577 00:36:51,000 --> 00:36:53,000 Evidence marker number four, Eric. 578 00:36:53,000 --> 00:36:55,000 Number four, that's the cuff link. 579 00:36:55,000 --> 00:36:57,000 That's the missing evidence. 580 00:36:57,000 --> 00:36:59,000 Right. Who is this? 581 00:36:59,000 --> 00:37:01,000 I don't know. It isn't Cardoza. 582 00:37:01,000 --> 00:37:02,000 It's not Jesse. Who is that? 583 00:37:02,000 --> 00:37:04,000 Let me clean up the flare on his face. 584 00:37:04,000 --> 00:37:07,000 Hitting the highlights. Clean up some of this mess. 585 00:37:12,000 --> 00:37:14,000 Captain Sutter. 586 00:37:21,000 --> 00:37:24,000 ♪ ♪ 587 00:37:48,000 --> 00:37:50,000 Lieutenant Caine. 588 00:37:50,000 --> 00:37:53,000 The Beatles played on this stage. 589 00:37:53,000 --> 00:37:54,000 I know that. 590 00:37:54,000 --> 00:37:56,000 I was here. 591 00:37:58,000 --> 00:37:59,000 You come alone? 592 00:37:59,000 --> 00:38:01,000 Just like I said I would. 593 00:38:01,000 --> 00:38:03,000 Why here? 594 00:38:03,000 --> 00:38:05,000 I like my privacy. 595 00:38:05,000 --> 00:38:07,000 What's this all about, Caine? 596 00:38:12,000 --> 00:38:13,000 Where'd you get this photo? 597 00:38:13,000 --> 00:38:18,000 You let Jesse Cardoza take the fall for something you did. 598 00:38:18,000 --> 00:38:20,000 What exactly do you want, Caine? 599 00:38:20,000 --> 00:38:24,000 I want you to come clean. 600 00:38:26,000 --> 00:38:28,000 All right. 601 00:38:29,000 --> 00:38:33,000 We knew Enright had murdered his wife. 602 00:38:33,000 --> 00:38:34,000 And we had him, too. 603 00:38:34,000 --> 00:38:36,000 Dead to rights. 604 00:38:36,000 --> 00:38:43,000 When I saw that cuff link, I knew that his slick lawyers would get him off, so I pocketed it. 605 00:39:05,000 --> 00:39:08,000 No harm, no foul. 606 00:39:08,000 --> 00:39:09,000 The right guy goes down. 607 00:39:09,000 --> 00:39:11,000 And that's the way it should be. 608 00:39:11,000 --> 00:39:15,000 But I had no idea Cardoza had already taken a photograph of it. 609 00:39:15,000 --> 00:39:18,000 So you allowed it to look like he tampered with evidence. 610 00:39:18,000 --> 00:39:19,000 I figured he was young. 611 00:39:19,000 --> 00:39:23,000 Get a couple weeks desk duty, slap on the wrist. 612 00:39:23,000 --> 00:39:25,000 Yes, but it didn't turn out that way, did it? 613 00:39:25,000 --> 00:39:29,000 No. His wife was murdered-- probably by Enright. 614 00:39:29,000 --> 00:39:32,000 That's something I got to live with every day. 615 00:39:32,000 --> 00:39:34,000 Where's the cuff link? 616 00:39:34,000 --> 00:39:37,000 I keep it right here. 617 00:39:37,000 --> 00:39:40,000 Always. 618 00:39:40,000 --> 00:39:41,000 So I'll never forget. 619 00:39:43,000 --> 00:39:45,000 Slowly. 620 00:39:52,000 --> 00:39:54,000 Take it. 621 00:40:04,000 --> 00:40:05,000 What now? 622 00:40:08,000 --> 00:40:11,000 What now? 623 00:40:11,000 --> 00:40:13,000 I think you know what to do. 624 00:40:21,000 --> 00:40:33,000 SUTTER: In light of the new evidence \h that's been presented to us, I would like to extend a long overdue apology to Jesse Cardoza, on behalf of the city, this department and the District Attorney's Office. 625 00:40:33,000 --> 00:40:44,000 Mr. Cardoza, who is no longer \h a member of the LAPD, is a shining example \h of what this department and all its officers \h should strive for every day. 626 00:40:44,000 --> 00:40:47,000 ENRIGHT: Hey, sweetheart, sweetheart, hey, don't worry. 627 00:40:47,000 --> 00:40:49,000 I'm gonna be out of here by dinner. It's all gonna be fine. 628 00:40:49,000 --> 00:40:52,000 We can go to our special little place that we love to go to together. You remember that place? 629 00:40:52,000 --> 00:40:56,000 Remember that place? Do you remember that place, huh?! Just go to hell! (spits) Huh?! 630 00:40:56,000 --> 00:40:58,000 You little bitch! 631 00:40:58,000 --> 00:41:01,000 (mutters) You're making a really bad mistake, sweetheart. 632 00:41:01,000 --> 00:41:04,000 Really, really bad mistake! 633 00:41:04,000 --> 00:41:06,000 My lawyer just flew in. 634 00:41:06,000 --> 00:41:08,000 Vogel will get me off. 635 00:41:08,000 --> 00:41:10,000 (yelling) Oh, and there's super cop. 636 00:41:10,000 --> 00:41:12,000 God, you're so good, huh? 637 00:41:12,000 --> 00:41:15,000 You're really good. 638 00:41:15,000 --> 00:41:17,000 Come around and watch a movie sometime. 639 00:41:43,000 --> 00:41:47,000 MAN: How do you plan \h on repairing the reputation of Jesse Cardoza? 640 00:41:47,000 --> 00:41:50,000 SUTTER: I'm unable to comment on that \h at this time. 641 00:41:50,000 --> 00:41:55,000 Suffice it to say that Mr. Cardoza's name and reputation has been cleared. 642 00:41:55,000 --> 00:41:58,000 Well, that door's not going to open itself. 643 00:41:58,000 --> 00:42:01,000 (car door opening) Thank you. 644 00:42:04,000 --> 00:42:06,000 Lieutenant. 645 00:42:06,000 --> 00:42:13,000 You know, uh, Tony Enright is never going to see the inside of a prison cell. 646 00:42:13,000 --> 00:42:14,000 Don't be too sure, Mr. Vogel. 647 00:42:14,000 --> 00:42:17,000 Actually, I'm dead sure. 648 00:42:17,000 --> 00:42:20,000 I want you out of Miami. 649 00:42:20,000 --> 00:42:23,000 Have you come to wish me bon voyage? 650 00:42:23,000 --> 00:42:28,000 By the way, if you're ever in the Emirates, don't bother to call. 651 00:42:32,000 --> 00:42:34,000 Don't worry, I'll get the door. 652 00:42:56,000 --> 00:42:58,000 Thank you. 653 00:43:00,000 --> 00:43:02,000 You would have done the same for me, Jesse. 654 00:43:07,000 --> 00:43:15,000 Captioning sponsored by\h CBS and C.S.I. PRODUCTIONS 655 00:43:19,000 --> 00:43:23,000 Captioned by Media Access Group at WGBH\h access.wgbh.org